Publications
Of Covid
+ KGP | MONOLITH
I'm excited to announce that two of my images from my series Unmasked Relationships, which I began during the pandemic in April 2020 and explores teenage sibling relationships, will be published in the book OF COVID by KGP Monolith.
In 2020, COVID forever altered how we work, learn, communicate, collaborate, and perceive the value of life. Like so many major world events and catastrophes, it transformed how photographers record individual and collective traumas. You could say that all photography made since the outbreak was tangential to it. From imagery of masked protesters and doctors responding to a deluge of sick and dying patients to meditative images made on walks, it seemed like every photograph was made in conversation with the pandemic.
Three years later, as fallout continues to dust our lives, this book is a shared and global photographic response. The images are footnotes to our experience of both collective trauma and interconnectivity. They show artists using photography to mend, salve, process, and understand – to keep going.
Many thanks to Kris Graves, Jon Feinstein, Roula Seikaly, and Nydia Blas for selecting my work for this publication.
On the Basis of Art: 150 Years of Women at Yale
With an introduction by Elisabeth Hodermarsky and essays by Helen A. Cooper, Linda Konheim Kramer, and Marta Kuzma. 304 pages / 10 x 10 3/4 inches / 185 color illustrations / Distributed by Yale University Press / 2021
Marking the 50th anniversary of undergraduate coeducation at Yale and the 150th anniversary of the first women students at the University, who came to study at the Yale School of the Fine Arts (now Yale School of Art) when it opened in 1869, this volume honors the accomplishments of women artist-graduates of Yale. Together, the texts and images celebrate the crucial role that these women have played in pushing creative boundaries at Yale—and in the world at large.
“Leaves of Grass”
Harvard Design Magazine: S/S 21
Photo essay of the exhibition of Leaves of Grass, curated by Adam Monohon and exhibited at the Creative Center for Photography at the University of Arizona.
“Bare Handed”
Southern Cultures: The Documentary Moment, Vol 26, No. 1, Spring 2020, University of North Carolina Press for the Center for the Study of the American South.
Photo essay featuring photos from Bare Handed, and an accompanying written essay by Holly Lynton on “the moment” and how it functions in her practice.
“The Spirit and the Food feeds Them”
Gravy No.74, Winter 2019, Southern Foodways Alliance at the University of Mississippi.
A commission from Gravy magazine to photograph the labor and food traditions at the South Carolina camp meetings. A written essay, incorporating the research conducted during her fellowship at the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at Yale University, appeared alongside her photos in this issue of their quarterly journal.
Fraction of a Second
Curated by David Bram.
Essays by Michele Penhall and James Elkins
Softbound / 9 x 12.25 inches, 58 images / 100 pages. Radius Books, co-published with Fraction Magazine, 516 ARTS, and UNM Art Museum. First edition limited to 250 copies.